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THE TOPENG The most popular afternoon (matinee) entertainment, especially with the more serious type of men, is the topeng, a masked play dealing with the exploits of local kings and warriors, episodes of the wars and intrigues of Balinese history (babad) . Two or three actors, usually aged men, play all the parts and impersonate all sorts of characters with great skill, from the halfwitted servants and petulant prime ministers, to the heroic kings and cultured young princes. It was like magic to see an old man transform himself into a graceful young prince simply by putting on a mask and dancing with delicacy, only to come out again as a lisping and idiotic clown. There is a curious variety of topeng, the padjegan, played by a single actor who impersonates all the characters. For this the usual curtain booth for the actors' changes is erected at one end of the stage, while the orchestra plays at the other end. The actor sits inside the booth, already in costume but not yet wearing a mask; there he prays, making an offering to the characters about to be played. He lights a stick of incense, dedicates the small offering he has brought with him, and decapitates a small chicken, spilling the blood on the ground. The gamelan begins to play. The masks are arranged in the required order on a basket, each wrapped in a piece of cloth. The actor takes the first mask, puts it on, still wrapped, holding it with his teeth by a wooden knob, or a leather strap, fixed to the back of the mask. Before uncovering it, he stiffens and seems to go into a sort of trance, to enter into the character, making dancing gestures with his head and hands. Suddenly he tears of the cloth, gets up, and after dancing for a short while behind the curtain, makes his appearance. This is done for each character, and each mask is carefully wrapped and put away after it is used. This is not for showmanship since it is always done inside the booth and out of sight of the public. As the play develops, the various characters are introduced, starting with the usual clowns, the servants of the prime ministers of the kings involved. Only the clowns speak in topeng performances and they wear half-masks that leave the mouth free, while the finer characters use pantomime. The absurd clowns are clumsy, with stiff wild hair and bulbous noses: one is a shy little man with eyes bulging, who lisps and moves with birdlike gestures; the other is a coarse character with terrifying hollow eyes, large holes in his mask, through which the actor's own eyes can be seen. He has an unkempt moustache and a monstrous hare-lip. After them appear the refined old men with red faces and masses of white hair, high-tempered prime ministers, and young princes with smiling, delicate white features. The personality of each character is sharply defined, with peculiar mannerisms expressed in stylized acting and through extremely realistic masks.
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